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bongboyblog · 2 years ago

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A walk through Bengal's architecture

Bengali architecture has a long and rich history, fusing indigenous elements from the Indian subcontinent with influences from other areas of the world. Present-day Bengal architecture includes the nation of Bangladesh as well as the Indian states of West Bengal, Tripura, and Assam's Barak Valley. West Bengal’s architecture is an amalgamation of ancient urban architecture, religious architecture, rural vernacular architecture, colonial townhouses and country houses, and modern urban styles. Bengal architecture is the architecture of Wind, Water, and Clay. The Pala Empire (750–1120), which was founded in Bengal and was the final Buddhist imperial force on the Indian subcontinent, saw the apex of ancient Bengali architecture. The majority of donations went to Buddhist stupas, temples, and viharas. Southeast Asian and Tibetan architecture was influenced by Pala architecture. The Grand Vihara of Somapura, which is now a UNESCO World Heritage Site, was the most well-known structure erected by the Pala rulers.

The Grand Vihara of Somapura

According to historians, the builders of Angkor Wat in Cambodia may have taken inspiration from Somapura. Bengal architecture became known for its use of terracotta due to the scarcity of stone in the area. Clay from the Bengal Delta was used to make bricks.

The temple architecture has distinct features like the rich wall decoration, often known as the terracotta temples, which was one of the remarkable elements of Bengali temple architecture. The double-roofed architecture of thatched huts was replicated by Bengali temples. Square platforms were used to construct the temples. Burnt brick panels with figures in geometric patterns or substantial sculptural compositions served as the temples' adornment.

Dochala style

These served as models for many temples that were built in undivided Bengal. Construction materials used in ancient times included wood and bamboo. Bengal has alluvial soil, so there isn't a lot of stone there. The bricks that were utilized to build the architectural components were made from stone, wood, black salt, and granite. Bengal has two different types of temples: the Rekha type, which is smooth or ridged curvilinear, and the Bhadra form, which has horizontal tiers that gradually get smaller and is made up of the amalaka sila. Mughal architecture, including forts, havelis, gardens, caravanserais, hammams, and fountains, spread throughout the area during the Mughal era in Bengal. Mosques built by the Mughals in Bengal also took on a distinctive regional look. The two major centers of Mughal architecture were Dhaka and Murshidabad. The do-chala roof custom from North India was imitated by the Mughals.

Jorasako thakurbari

The Rasmancha is a heritage building located at Bishnupur, Bankura district, West Bengal.

Influence of the world on Bengal architecture: Although the Indo-Saracenic architectural style predominated in the area, Neo-Classical buildings from Europe were also present, particularly in or close to trading centers. While the majority of country estates had a stately country house, Calcutta, Dacca, Panam, and Chittagong all had extensive 19th and early 20th-century urban architecture that was equivalent to that of London, Sydney, or other British Empire towns. Calcutta experienced the onset of art deco in the 1930s. Indo-Saracenic architecture can be seen in Ahsan Manzil and Curzon Hall in Dhaka, Chittagong Court Building in Chittagong, and Hazarduari Palace in Murshidabad.

Hazarduari Palace in Murshidabad

The Victoria Memorial in Kolkata, designed by Vincent Esch also has Indo-Saracenic features, possibly inspired by the Taj Mahal. Additionally, Kolkata's bungalows, which are being demolished to make way for high-rise structures, have elements of art deco. The 1950s in Chittagong saw a continuation of Art Deco influences. The Bengali modernist movement, spearheaded by Muzharul Islam, was centered in East Pakistan. In the 1960s, many well-known international architects, such as Louis Kahn, Richard Neutra, Stanley Tigerman, Paul Rudolph, Robert Boughey, and Konstantinos Doxiadis, worked in the area.

The Jatiyo Sangshad Bhaban

This iconic piece of contemporary Bangladeshi architecture, was created by Louis Kahn. Midsized skyscrapers dominate the cityscapes of contemporary Bengali cities, which are frequently referred to as "concrete jungles." With well-known architects like Rafiq Azam, architecture services play a key role in the urban economies of the area. Overall Bengal architecture was influenced by various contemporaries of their time and continues to evolve.

Gothic architectural style seen in St. Paul's Cathedral in Kolkata.

Zamindar era buildings in ruin.

Belur Math in Howrah

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collapsedsquid · 6 months ago

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Most of the videos I saw start with a creator showing the “Payouts” panel within Facebook to supposedly prove that they are making money from the platform, and many of them click into a “Performance” panel that shows payouts for individual images. Some of the panels show images of AI-generated trains making as much as $430,” but the vast majority of payment panels I saw showed top payments of between $10 and $40 of particularly viral photos, which, again, goes much further in India, Bangladesh, or Vietnam than it does in the United States. Some of the influencers show their panels on livestreams as “proof” that they are making the amount of money that they say they are making. In these videos, there is obviously a get-rich-quick, side-hustle energy and it’s difficult to say exactly how much any of these creators is actually making, but people are definitely trying to replicate the apparent success of these YouTubers.

scammers scamming scammers

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felixcloud6288 · 7 months ago

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Higurashi: Festival Accompanying Chapter 1

We know all the secrets surrounding June 1983, but we don't know everything leading up to that month.

Everything begins at some point likely around the mid 1950s. Before she was Miyo Takano, she was Miyoko Tanashi. She was scared of horror stories, loved collecting the flags that came with her kids meals, and loved her parents very much.

S-Save me r/vexillology!! I'm trying to identify all 19 of the flags Miyoko has collected.

The flags I can identify for sure:

Brazil: near the bottom center

Canada: near the center to the right of Brazil

China: in the top right corner

Denmark: In the top left, above South Korea and partially buried under two other flags

Finland: Above Denmark and slightly covering it up

France: The flag covering up Denmark

Germany: bottom left corner

Greece: Center far right

Japan: Near the center

South Korea: Center far left. Partially covered by the drawer wall

Switzerland: Bottom center, next to Brazil

Turkey: Bottom right corner

United Kingdom: Top Center

United States: Top center. Right above Canada

Meanwhile I think these are also in the pile:

Argentina or Austria: The flag under the Swiss and Brazilian flags. I'm leaning toward Argentina because red is drawn in darker shades

India: The flag at the top right above the US flag and partially covered by the drawer

Italy or Ireland: Flag to the right of Switzerland and above Turkey. I'm leaning more toward it being Italy.

I cannot figure out what the flag between Canada and Greece is. At first, I thought it was the Czech Republic, but the shading on this image doesn't match the Czech colors at all. And it's backward too. There's also a flag in the top right corner that is very hidden. All I can tell is it has white on the bottom. My guess is it might be Indonesia. I was also considering Estonia, but Estonia was under Soviet rule at this time and it was illegal to fly the Estonian flag.

I was really hoping the Mexican and South African flags might be in here.

You're placing a curse on your kid if you tell them god will give them happiness if they're good. You're telling them it is their fault when life happens and things fall apart. And almost as if on cue, Miyoko's life falls apart on the same day her father told her that. The only thing you could say she did wrong was she didn't hear her father when he called out to her.

Mr Tanashi losing his right hand in the train derailment is just twisting the knife. It's not enough that Miyoko's mother died in the accident and that she saw her father die. She's also denied one final headpat before he dies.

I want to try being fair to the social workers working on Miyoko's case. This is the mid 1950s. World War II ended at most a decade ago. Around 4% of Japan's population was killed in the war. Two cities were utterly destroyed, and there's the general economic collapse that comes from long-term military action.

No matter how much they may want to help, resources in this environment are stretched thin. Trying to find and contact a single person with no leads would likely be difficult today. It would be a herculean task in the 1950s.

And it's also this kind of scenario that lets an institution like the one Miyoko was sent to to exist. Those social workers were genuinely clueless about how that orphanage mistreats the children brought to it. They genuinely think they're providing the best possible solution given the situation, and the head of the orphanage knows how to put on a kindly face in front of them.

I genuinely don't know if the panel of the man patting Miyoko's head is real or her imagination. Him giving her even the slightest kindness is so out of character. And Miyoko grew up in the exact opposite of an abusive home. Her instinct when seeing someone raise their hand to her is expecting kindness and being utterly confused when she's hit instead.

I love and hate how that first slap to Miyoko is so perfectly executed. A full page image on the right half of the page spread. You just turn the page and see Miyoko violently slapped across the face. It's as sudden to us as it is to her. And right before it happens, the chapter implied that there is hope for her despite everything that's happened. But that one slap knocks the hope out of her and us.

back

#higurashi no naku koro ni #higurashi when they cry #higurashi no naku koro ni reread

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exhibitionsvisited · 1 year ago

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2024

This year I visited 320 exhibitions, this is my top ten:

Francis Alÿs, Barbican, London

Superb show by Alys that is a real lesson in how to curate video art, visually, sonically, conceptually spatially and above all else seriously playful.

2. Donald G. Rodney, Nottingham Contemporary and Spike Island, Bristol

I was lucky to see this retrospective of Rodney’s work twice and was rewarded by seeing two different ways to tell a story of the artist’s work. Charged, chilling, poignant, poetic, humbling, angry, beautiful and so much more.

3.Martyn Cross, Hales Gallery, London

Best show of painting I saw all year, Cross is doing something that is anachronistic in that it feels like nothing I have ever seen before and reminiscent of much that is good in art from the past. Hugely refreshing and rewarding.

4. Lubna Chowdhary, Graves Gallery, Sheffield

A show with a smile on its face that made me gleeful and indeed put a bouncing smile on my face. Much richness beneath the surface of the work, but wowzers what surfaces on the work, is incredibly materially rich.

5. Pamela Phatsimo Sunstrum, Barbican, London

A show I had no expectations for, not having any knowledge of Sunstrum’s work before and actually only popping in to see it while also visiting the excellent The Imaginary Institution of India Art 1975–1998 exhibition. Sunstrum’s work was a real feat in bring the cinematic to painting through embedding the audience into the spatial time and space of an encounter with the narrative. Stunning and surprising.

6. Yelena Popova, Ione & Mann Gallery, London

Stepping into the gallery from the speakeasy-like entrance up the unassuming front door and staircase was like entering a completely different space from the bustling London streets – calm, contemplative, zen-like lessons in slowing down and paying attention.

7. Dan Rapley, Project Space Plus, Lincoln and Angear Visitor Centre, Nottingham

A lesson in how to look with fresh eyes, one body of photographs was displayed sculpturally in the middle of each space, inviting the viewer, like Rapley to look inwards at the materiality of the microscopic in his blown up photographs of details of slides he has sourced. The other body of work beautifully creates new mysterious and evocative compositions, collaged together by layering the found slides on a light box and rephotographing them.

8. We are the Monument, Graves Gallery, Sheffield

I don't think there is a better public gallery than the Graves Gallery at the moment who are considering how to re-energise their collection, largely by letting artists such as Yuen Fong Ling (and at the same time another brilliant show curated by Victoria Lucas. Clever, playful, dynamic in the way of curating, which feels as deft, elastic and magical as Houdini. It is truly an example that i wish others would take note of, not to copy but to see what can be done.

9. Hew Locke - What Have We Here?, British Museum, London

Superbly told through careful curation, excellent text panels that combined objectivity with subjectivity in a brilliant way to address multiple and complex colonial narratives.

10. Japanese Art History À La Takashi Murakami, Gagosian, London

I was expected to be too cynical but ended up completely bowled over, seduced and in love with Murakami’s new work that brilliantly balanced spectacle with nuance, attention to detail on such a huge scale.

This year I visited the following exhibitions

10th Jan, Zara Sands and Olly Centres, General Practice, Lincoln

12 Jan, Bodies for Practice, Project Space Plus, Lincoln

2nd Feb, Seasonal Strokes, General Practice, Lincoln

9 Fefb, Chris Ofilli and William Blake, Tate Britain, London

9 Feb, Chris Ofilli, Tate Britain, London

9 Feb, Woman in Protest, Tate Britain, London

9 Feb, Richard Hamilton, Tate Britain, London

9 Feb, Yuri Pattison and J M W Turner, Tate Britain, London

9 Feb, Zineb Saleh Tate Britain, London

9 Feb, Cat Flap Blink, Terrace Gallery, London

9 Feb, Victor Bengtsson, Public, London

9 Feb, Martin Aagaard Hansen, Tanja Nis-Hansen & Kazuyuki Takezaki , Union Pacific, London

9 Feb, Mao Yan, Pace Gallery, London

9 Feb, ,Ziping Wang, Unit, London

9 Feb, Zach lieberman, Unit, London

9 Feb, Conversation Galante, Pillar Corris, London

9 Feb, Frank Bowling ,Hauser and Wirth, London

9 Feb, Uman ,Hauser and Wirth, London

9 Feb, Willem Sasnal, Sadie Coles ,London

9 Feb, Anna Barriball, Frith St,London

9 Feb, Emi Otaguro, Masanori Tomita, Nobuya Hitsuda & Yutaka Nozawa , Sadie Coles,London

9 Feb, Come Home, Sadie Coles ,London

9 Feb, Zineb Sedira, Goodman Gallery,London

9 Feb, Marc Chagall, Alon Zakaim, London

9 Feb, Polymythologies, Tiwani Contemporary,London

9 Feb, Jeffrey Gibson, Stephen Friedman,London

9 Feb, Claire Gavronsky, Goodman Gallery ,London

9 Feb, Rose Shakinovsky, Goodman Gallery ,London

9 Feb, Olivia Flax, Holtermann ,London

9 Feb,Burri, Miró , Ermnst, Nahmad Projects,London

9 Feb, Gerhard Richter, David Zwirner ,London

9 Feb, Drawn into the Present, Thaddeus Ropac ,London

9 Feb, Andy Warhol, Thaddeus Ropac ,London

9 Feb, Pauline Boty, Gazelli, ,London

9 Feb, Karel Appel, Max Hetzler, ,London

9 Feb, Alexis Hunter, Richard Saltoun, ,London

9 Feb, Premiums 1, Royal Academy ,London

9 Feb, Entangled Pasts, Royal Academy ,London

16 Feb, Punk: Rage and Revolution, Northampton Museum & Art Gallery

16 Feb, Material Matters, Northampton Museum & Art Gallery

16 Feb, Elke Pollard, Northampton Museum & Art Gallery

21 Feb, Practice Research, Project Space Plus, Lincoln

22 Feb, Paul Mpagi Sepuya, Nottingham Contemporary

22 Feb, Dora Budor, Nottingham Contemporary

22 Feb, Danica Maier, Beam, Nottingham

1 March, Andrew Bracey, General Practice, Lincoln

8 March, Darren Diss and Brian Voce, The Hub, Sleaford

8 March, Jo Cope, The Hub, Sleaford

20 March, Mirrors Windows Portals, project space plus, Lincoln

23 March, Feng-Ru Lee, Weston Gallery, Nottingham

23 March, Dan Rapley, Angear Visitor Centre, Nottingham

23 March, Saad Qureshi, Djanogly Gallery, Nottingham

23 March, Fascinating Finds from Nottingham's Caves, University of Nottingham Museum

23 March,Peep Show, Bennington Gallery, Nottingham

23 March, Shahnawaz Hussain, Bennington Gallery, Nottingham

23 March, Osheen Siva, Bennington Gallery, Nottingham

23 March, Debsyo Bolaji, New Art Exchange, Nottingham

24 March, Jason Wilsher-Mills, Lincoln Museum

12 April, When Forms Come Alive, Hayward Gallery, London

12 April, Virginia Verran, Michael Richardson Contemporary Art, London

12 April, Secundino Hernández , Victoria Miro Gallery, London

12 April, Neal Rock, New Art Projects, London

12 April, Salvador Dali, Clarendon Fine Art, London

12 April, Unravel, Barbican, London

12 April, Soufiane Ababri, Barbican, London

12 April, Ibrahim Mahama, Barbican, London

12 April, Lobert Zandvilet, Grimm, London

12 April, Reina Sugihara, Arcadia Misa, London

12 April, Marria Pratts Carl Kostyal, London

12 April, Richard Serra,David Zwirner, London

12 April, Marcelina Akpojotor, Rele, London

12 April, Fathi Hassan,Richard Saltoun, London

12 April, Erwin Wurm,Thaddaeus Ropac, London

12 April, Harold Cohen, Gazelli Art House, London

12 April, Adam Pendleton, Galerie Max Hetzler, London

12 April, Nancy Haynes, Marlborough, London

12 April, Shizuko Yoshikawa, Marlborough, London

12 April, Shizuko Yoshikawa and Bridget Riley, Marlborough, London

12 April, Betty Parsons,Alison Jacques, London

12 April, Woody De Othello, Stephen Friedman Gallery, London

12 April, Peter Blake, Waddington Custot Galleries, London

12 April, Standing in the Gap, Goodman Gallery, London

12 April, Ulla von Brandenburg, Pilar Corrias, London

12 April, Lindokuhle Sobekwa, Goodman Gallery, London

12 April, The Leisure Centre, The Brown Collection, London

12 April, Shine On,Sadie Coles HQ Davies St, London

12 April, Albert Oehlen, Gagosian, London

12 April, Gavin Turk, Ben Brown Fine Arts, London

12 April, François Morellet,Annely Juda Fine Art, London

12 April, Thomas Allen, Ronchini Gallery, London

12 April, Darya Diamond, Pippy Houldsworth, London

12 April, Li Hei Di, Pippy Houldsworth, London

12 April, Florence Hutchings, Redfern Gallery, London

12 April, Marilyn Lerner, Spruth Magers, London

12 April, Barabara Kruger, Spruth Magers, London

12 April, Edward Burtynsky, Flowers, London

12 April, Terry Frost, Flowers, London

12 April, Cinthia Marcelle,Sprovieri, London

12 April, Matthias Groebel,Gathering, London

12 April, Raqs Media Collective, Frith Street Gallery, London

12 April, Kati Heck, Sadie Coles, London

17 April, Trim, Project Space Plus, Lincoln

26 April, Marking Time, General Practice, Lincoln

8 May, Cache 05, Anglia Storage, Lincoln

8 May, Sacred Spaces, St Peter and Gowt, Lincoln

8 May, Parting of the Minds, Project Space Plus, Lincoln

8 May, Paul Letchworth, Gallery St. Martin's, Lincoln

11 May, Anna Reading, Uffington Notice Board

12 May, Common Ground, Uffington Village Hall

15 Ma, Groundings, Project Space Plus, Lincoln

29 May, Caravaggio, St Johns Cathedral, Valletta

31 May, Durer, Mdina Cathedral Museum

31 May, Joe Pellegrini Petit Collection, Wignacourt Museum, Rabat

31 May, Anton Agius, Wignacourt Museum, Rabat

4 June, Now I'm Here, Later I'll be There, Cadman studios, Stoke on Trent

7 June, Come to Fruition, Peter de Wint Building, Lincoln

18 June, Meet the Future, Grosvenor Building, Manchester

18 June, A to Z and Back Again, Holden Gallery, Manchester

19 June, Counter Culture, Djnogoly Gallery, Nottingham

19 June, John Newling, Lakeside Gallery, Nottingham

2 July, Oliver Ventress, General Practice, Lincoln

10 July, Sense of Belonging, Project Space Plus, Lincoln

12 July, Donald G. Rodney, Spike Island, Bristol

12 July, Aperiodic, Kit Form Gallery, Bristol

20th July, Text and Texture, General Practice, Lincoln

24th July, Resonating Museum Walls, Lincoln Museum

6 August, The Time is Always Now, The Box, Plymouth

16 August, Al Held White Cube Bermondsey, London

16 August, Joe Bloom, Kristin Hjellegjerde Gallery, London

16 August, Muhammad Zeeshan, Kristin Hjellegjerde Gallery, London

16 August, Rahima Gambo, Gasworks, London

16 August, Steve Klee, WIP Space, London

16 August, Nudge it, Terrace Gallery, London

16 August, Guild, Fillet space, London

16 August, Francis Alÿs, Barbican, London

16 August, Meera Shakti Osborne, Peer, London

16 August, Steph Huang, Tate Britain, London

16 August, Alvaro Barrington, Tate Britain, London

16 August, Keith Piper and Rex, Tate Britain, London

16 August, Franciska Themerson, Tate Britain, London

16 August, Balraj Khanna, Tate Britain, London

16 August, Henry Moore and Francis Bacon, Tate Britain, London

17 August, Songs of the Open Road, Halycon, London

17 August, London Pictures, Gilbert and George Centre, London

17 August, Damien Hirst, Phillips, London

17 August, Supernova, Flowers, London

17 August, Asi Joy Samuel and Claudia Yu, Frieze no. 9, London

17 August, Yinka Shonibare, Serpentine Gallery, London

17 August, Judy Chicago, Serpentine Gallery, London

17 August, Minsuk Cho, Serpentine Gallery, London

17 August, Gerhard Richter, Serpentine Gallery, London

17 August, Agnes Scherer, Sadie Coles, London

17 August, Matthew Barney, Sadie Coles, London

17 August, Isabella Ducrot, Sadie Coles HQ, London

17 August, Bertolt Brecht, Raven Row, London

17 August, Phantom Hymn, Modern Art, London

17 August, Awaken Metamagical Hand, Gazelli Art House, London

7 August, Roe Ethridge Gagosian, Davies St, London

17 August, Minoru Nomata, White Cube Mason’s Yard, London

17 August, Dominique White, Whitechapel Gallery, London

17 August, Archipelago: Winds in Orbit, Whitechapel Gallery, London

17 August, Peter Kennard, Whitechapel Gallery, London

18 August, Yoko Ono, Tate Modern, London

18 August, Jannis Kounnelius, Tate Modern, London

18 August, Inside Job (the Tate Staff Biennale), Tate Modern, London

18 August, Art and Text, Tate Modern, London

18 August, Gillie and Marc, St. Pauls, London

18 August, Lina Iris Viktor, Sir John Soane Museum, London

23 August, Nick Simpson, General Practice, Lincoln

23 August, What? Now, Project Space Plus, Lincoln

31st August, The Kola Nut Cannot be Contained, Welcome Collection, London

31st August, Being Human, Welcome Collection, London

31st August, Jason Wilsher-Mills, Welcome Collection, London

31st August, Penny Slinger, Richard Saltourn, London

31st August, Grace Weaver, Max Hetzler, London

31st August, Rheim Alkadhi, ICA, London

31st August, Vanessa Bell, Courtauld Institute, London

31st August, Henry Moore, Courtauld Institute, London

31st August, Tavares Strachan, Hayward Gallery, London

31st August, Graham Crowley, Domobaal, London

31st August, Contemporary collecting David Hockney to Cornelia Parker, British Museum, London

31st August, Rembrandt and his Children, British Museum, London

31st August, Liorah Tchiprout, Pippy Houldsworth, London

31st August, Hockney and Piereo: A Longer Look, National Gallery, London

31st August, Discover Degas and Miss La La, National Gallery, London

31st August, Don Brown, Sadie Coles, London

1st September, Ed Clark, Turner Contemporary, Margate

1st September, Lynda Benglis, Turner Contemporary, Margate

1st September, Portfolio X Windmill Community Gardens, Turner Contemporary, Margate

9th September, MA Fine Art show, University of Northampton

11th September, MA Fine Art show, Staffordshire University

13 September, Take one A Day, Usher Gallery, Lincoln

14 September, Erica Eyres, Turntable Gallery, Grimsby

14 September, Dale Alcock, Unseen Arts, Grimsby

16 September, MA Design Degree Show, Project Space Plus, Lincoln

20 September, Lubna Chowdhary, Graves Gallery, Sheffield

20 September, PostNatures, Graves Gallery, Sheffield

20 September, Colour, Form and Line, Graves Gallery, Sheffield

20 September, A Passion for Prints, Graves Gallery, Sheffield

20 September, Odilon Redon, Graves Gallery, Sheffield

20 September, Art and Identity, Graves Gallery, Sheffield

20 September, We Are The Monument, Graves Gallery, Sheffield

20 September, Show Your Metal, Millennium Gallery, Sheffield

20 September, Tess Jaray, Millennium Gallery, Sheffield

20 September, Festival of the MindMillennium Gallery, Sheffield

20 September, Festival of the Mind, Persistence Works, Sheffield

20 September, Jack Grinno, Gloam, Sheffield

27 September, Jake Williams, General Practice, Lincoln

10 October, Dan Rapley, Project Space Plus, Lincoln

18 October, Joe Duggan, Russel Square Gardens, London

18 October, Braque, Matisse, Picasso, London

18 October, Elizabeth Magill, Anthony Wilkinson, London

18 October, Douglas Abdell, Ab-Anbar, London

18 October, Murray Clarke, Nahmad Projects, London

18 October, Kehinde Wiley, Stephen Friedman, London

18 October, Fabienne Verdier, Waddington Custot, London

18 October, Susie Hamilton, Paul Stolper Gallery, London

18 October, Hew Locke - What Have We Here?, British Museum, London

18 October, Mathew Cerletty, Herald St, London

18 October, 5 Years, Maximillian William, London

18 October, Pei Wang, Workplace, London

18 October, The Stars Fell on Alabama, Edel Assanti, London

18 October, Jonas Wood, Gagosian, London

18 October, Yelena Popova, IONE & MANN Gallery, London

18 October, Rirkrit Tiravanija, Pilar Corrias, London

18 October, Golds, Ordovas, London

18 October, Jack Whitten, Hauser & Wirth, London

18 October, George Rouy, Hauser & Wirth, London

18 October, Austin Lee, Carl Kostyal, London

18 October, Ella Walker, Pilar Corrias, London

18 October, Alison Wilding, Alison Jacques, London

18 October, Lygia Clark, Alison Jacques, London

18 October, Kapwani Kiwanga, Goodman Gallery, London

18 October, Gary Hume, Sprüth Magers. London

18 October, Anthony McCall, Sprüth Magers, London

18 October, Oscar Murillo, David Zwirner, London

18 October, Pouran Jinchi, Gazelli Art House, London

18 October, Ruba Salameh, Gazelli Art House, London

18 October, Libby Heaney, Gazelli Art House, London

18 October, Heemin Chung, Thaddaeus Ropac, London

18 October, Robert Longo, Thaddaeus Ropac, London

18 October, Danh Vo, White Cube Mason’s Yard, London

18 October, Magdalene Odundo, Thomas Dane, London

18 October, Ibrahim El-Salahi, Vigo gallery, London

18 October, Terry Adkins, Thomas Dane, London

18 October, René Daniëls, Modern Art Bury Street, London

18 October, Jordan Wolfson, Sadie Coles, London

18 October, Urs Fischer, Sadie Coles HQ Kingly St, London

18 October, Marlene Dumas, Frith Street Gallery, London

18 October, Freelands Painting Prize 2024, Freelands Foundation, London

18 October, Hew Locke, Hales Gallery, London

18 October, Helene Appel, The Approach, London

18 October, Germaine Kruip, The Approach, London

18 October, Gary Hume, Hazlitt Holland-Hibbert, London

18 October, Simryn Gill, Richard Saltourn, London

18 October, The Look, Transition Projects, London

24 October, Georgie Jones, Project Space Plus, Lincoln

25 October, Grayson Perry, Djanogly Gallery, Nottingham

25 October, Paula Rego, Djanogly Gallery, Nottingham

25 October, Race and the League of Nations, Djanogly Gallery, Nottingham

25 October, Donald G Rodney, Bonnington Gallery, Nottingham

25 October, After the End of History, Bonnington Gallery, Nottingham

25 October, Assunta Ruocco, TG, Nottingham

25 October, Mohammad Barrangi, New Art Exchange, Nottingham

25 October, Mailnish Harijan, New Art Exchange, Nottingham

25 October, Dorothy Bohm, Beam, Nottingham

25 October, The Last Horror Show, Backlit, Nottingham

1 November, Anne Stanfield, General Practice, Lincoln

8 November, The Distribution of Shapes in Space, Project Space Plus, Lincoln

12 November, Donald G. Rodney, Nottingham Contemporary

12 November, EM24: Escape Simplicity, Surface Gallery, Nottingham

12 November, Kolam (கோலம்), Primary, Nottingham

25 November, Small Encapsulations of Pleasure, Project Space Plus, Lincoln

10th December, Bodies of Practice, Project Space Plus, Lincoln

13th December, Zeinab Saleh, David Zwirner, London

13th December, On Kawara, David Zwirner, London

13th December, Peter Buggerhaut, Holbermann, London

13th December, Jan Fabre, Mucciacca, London

13th December, Joan Synder, Thaddeus Ropac, London

13th December, Jessica Wilson, Ranching, London

13th December, Enchanted Alchemie, Levy Gorvy Dayan, London

13th December, Susie Macmurray, Pangolin, London

13th December, Motion in Stillness: Dance and the Human Body in Movement, Victoria Miro, London

13th December, María Berrío, Victoria Miro, London

13th December, Gabriel Hartley, Seventeen, London

13th December, Martin Cross, Hales Gallery, London

13th December, Kenia Almaraz Murillo , Waddington Custom, London

13th December, Özgür Kar, Emalin, The Clerk's House, London

13th December, The Equal Right to Live and Blossom, Kate MacGarry, London

13th December, Merlin James, Studio M Maureen Paley, London

13th December, Sang Woo Kim, Herald St. Gallery, London

13th December, Parker Ito, Rose Easton, London

13th December, Merlin James, Maureen Paley, , London

13th December, Somaya Critchlow, Maximillian William, London

13th December, Kutluğ Ataman, Niru Ratnam, London

13th December, Nicholas Hatfull , Josh Lilley, London

13th December, William Wright, Josh Lilley, London

13th December, Sass Popoli, Lungley Gallery, London

13th December, David Nash, Annely Juda Fine Art, London

13th December, Candida Höfer, Ben Brown Fine Art, London

13th December, Takashi Murakami, Gagosian , London

13th December, Miguel Ybáñez, Grimm , London

13th December, Seth Price, Sadie Coles HQ Davies St, London

13th December, Anna Weyant, Gagosian, London

13th December, Salvo and Andreas Schulze, Spruth Magers, London

13th December, Lenore Tawney and Toshiko Takaezu, Alison Jacques , London

13th December, Hank Willis Thomas, Pace, London

13th December, Ernst Love, Goodman Gallery, London

13th December, Mary Ramsden, Pilar Corrias, London

13th December, Alice Barber, Luxembourg + Co, London

13th December, Ndayé Kouagou, Gathering, London

13th December, Daniel Silver, Frith Street Gallery, London

13th December, Klara Liden, Sadie Coles HQ Kingly St, London

13th December, George Shaw, Anthony Wilkinson Gallery, London

13th December, Paul Housley, Cedric Bardawil, London

13th December, Forrest Bess, a.Squire , London

13th December, Lubaina Himid, Hollbush Gardens , London

13th December, Pamela Phatsimo Sunstrum, Barbican, London

13th December, The Imaginary Institution of India: Art 1975-1998, Barbican , London

20th December, Joy, General Practice

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godofglitter · 2 years ago

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In a spontaneous (and probably highly illegal) decision, I decided to enter a half-renovated palace looking building in Mubarak Mandi Complex, Jammu. No one stopped me, precisely because there was no one around- the entire enclosed polygon of tall buildings of maharajas who'd probably thought they'd be ruling forever had a neglected, forgotten look about it. Even the locals didn't seem to know of the existence of the small museum, or the British style fountains on four corners of a Mughal and Dravidian style garden, enclosed by the Rajputana looking palace buildings. So many religions, ruling families, races- all blending together homogeneously, without the added colour of communalism that often (unfortunately) divides other significant melting pots such as Delhi, where I have grown up seeing firsthand the segregation of Mughalai versus Rajputana, each distinct and prideful in a lack of confluence with the opposite party. Here in Jammu for the first time I saw a masjid down the road from a temple, jhatka and halal shops standing shoulder to shoulder with a pure vegetarian vaishno dhaba, people living in seemingly true fraternity- and above all, harmony.

I am sure this is a gross romanticisation of the political atmosphere of one of India's most controversial and warred upon regions. And yet this picture- of a roof panel at that palace I very illegally entered- sparks these bittersweet emotions in me that awaken the inner idealist. This panel is a glimpse into Dogra history, and all the diverse factors that form it- and yet even as we speak, vital parts are being slowly replaced by fresh, bright, unmarked wood. The glass half empty side of my brain cries at the loss of history, cries for the beautiful and intricate artwork on the inner walls of the palace that are being covered by sterile white paint, for the erasure of an entire culture by controversy such that even the descendants of the kings themselves don't know who they are. And yet, unbidden as hope, the glass half full side of my brain sees this blank wood with rosy eyes, perhaps reminiscent of the perspective of the artisans who first set out to paint this beauty in the first place- seeing these empty spots as fresh slates onto which we can paint our own stories of love and peace.

#india #indian history #jammu and kashmir #jammu #dogra history #historical #historical monuments #palaces #indian palaces #maharaja #indian art

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astra-galaxie · 2 years ago

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Victoria Holt

Biographical information

Full Name: Victoria Holt

Alias(es): Nerium Nightshade

Gender: Female

Sexuality: Lesbian

Status: Deceased

Age: 60 (season 1)

Birth: 1953

Race: Human

Cause of Death: Electrocution

Nationality: Dutch

Origin: Holland, Netherlands

Residence:

India (formerly)

Holland, Netherlands (formerly)

Profession(s): Scientist

Affiliation(s):

Switch Laboratories

SOMBRA

Profile

Height: 5'4" Age: 60 (season 1) Weight: 137lbs Eyes: blue Blood: A+

Hailing from the Netherlands, Victoria Holt was the owner of Switch Laboratories. She had strawberry-blonde hair, pale skin, and blue eyes. She wore a simple red dress, an orange lab coat, and a DNA pattern scarf.

Synopsis

Victoria was the victim of A Shock to the Team.

She used to own Switch Laboratories, a lab that, on the surface, was working to cure diseases. But behind the scenes, they were creating custom poisons to kill people. Victoria and Gustave were the only ones aware of SL's true intentions; the rest of the employees thought they were doing good work.

But unknown to Gustave, Victoria worked for SOMBRA, who also funded her operations. SOMBRA was using Victoria's poisons to "weed out the weak" but killing their enemies. Because Victoria's poisons were so unique, it would appear like people died of natural causes, such as a heart attack or stroke. She also sold her poisons privately on the black market, and no one traced these murders back to Victoria.

But Nathan eventually discovered Victoria's devious plans. He learned the truth while autopsying one of the volunteer test subjects. After realizing that Project Elysium was killing people on purpose instead of saving them, he contacted his grandfather, the Director of U.N.I.T at the time. With the agency's help, they destroyed the lab and research, arresting many of the employees.

But Victoria fled with SOMBRA's help and vowed revenge on Nathan for his betrayal. She couldn't believe after everything she did for him; he would stab her in the back. She gave him his sight, helped with his education, gave him a job at her lab, and that was how he repaid her?!

She stayed a free woman for many years as she evaded U.N.I.T. Victoria tried to recreate her work, but without the data, she couldn't do it. And then she realized that Nathan would be the key to helping her. He helped U.N.I.T. confiscate her work and was sure he would have remembered the formulas and know how to recreate them.

So, Victoria contacted Gustave, who was now out of prison, and the two tracked Nathan down to Grimsborough. They also found other old employees of SL, but no one wanted anything to do with them. But the two were persistent and tried to restart their work in a secret lab hidden underneath an abandoned iPear store Gustave owned.

Victoria even went as far as to threaten Nathan's son Avi. The coroner agreed to go with her to the lab so that she wouldn't hurt the boy, but once there, he attacked Victoria, knocking her out. He tried to destroy the work inside but found no files, so he fled before she woke up.

But Nathan knocking Victoria out would make it easier for Gustave to murder her. Gustave was angry when he saw that Victoria had failed to get Nathan back. He knew he could get the coroner to cooperate with the right incentives, and if she were going to be useless, he wouldn't risk her ruining his chances at a better life.

Gustave strapped Victoria to a chair and hooked up jumper cables to it and the shop's electric panel. With a flick of a switch, he turned on the shop's sign and electrocuted Victoria in the process. He left her burnt corpse inside and began formulating a plan to escape Grimsborough, taking Nathan with him.

Story Information

First appeared: A Shock to the Team

Trivia

The name of the case she was a victim in, A Shock to the Team, is a reference to the pilot episode (A Shock to the System) from the cartoon Static Shock

The SOMBRA connection was a change I made after I edited my first story, The Case of The Criminal, in 2021

She sold her custom poisons on the black market under the disguise of Nerium Nightshade

She wore a mask when making sales; the most common ones looked like skulls

Disclaimer: Character design was created using Rinmarugames Mega Anime Avatar Creator! I have only made minor edits to the design! Background courtesy of CriminalArtist5

Links to my stories:

The Case of the Criminal (Ao3/Wattpad) Killer Bay (Ao3/Wattpad) Where in the World are the Killers? (Ao3/Wattpad)

#criminal case #astra's ocs #my ocs #criminal case grimsborough #grimsborough #CC OC profile

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marketsndata · 21 hours ago

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India Solar Module Market Share, Trends and Growth Forecast 2031

India solar module market is expected to observe a CAGR of 11.83% during the forecast period FY2025- FY2032, rising from USD 7.03 billion in FY2023 to USD 17.20 billion in FY2032.

Indian energy landscape requires solar modules or solar panels to support its transition to renewable energy, and thereby reduce dependency on fossil fuel. Localized energy production encourages using solar panels to improvise the condition of rural areas through the provision of power for cooking, lighting, and other uses, leading to economic growth and ecological sustainability, thereby playing a vital role in climate change mitigation efforts and national carbon-emission reduction strategies. Hence, India is focusing on increasing its solar capacity, and this will continue over the projected years.

For instance, in July 2024, Ornate Solar announced that India’s solar energy capacity has reached a huge milestone of 85,474 MW, with the country adding 1,197 MW of new capacity in June. The expansion of solar power is crucial for addressing rising energy demands and accelerating the transition to renewable energy. As India expands its solar infrastructure, it positions itself as a pioneer in sustainable energy production, helping to meet environmental goals and ensure energy security.

Rise in Rooftop Solar Installation Capacity to Augment Market Growth

In India, the requirement for rooftop solar installations is increasing rapidly. Hence, the Indian government is focusing on major initiatives. The initiatives are expected to lead to a substantial increase in rooftop solar capacity throughout the country, thereby fostering the market growth rate extensively.

For instance, in August 2024, the Indian government announced that India has built 1.1 GW of rooftop solar capacity during the first half of 2024, which is 26% higher than the recorded capacity in the same duration last year. The residential sector saw unprecedented growth rates with increasing installations by more than ten times than observed in the previous quarter. Gujarat, Kerala, Maharashtra, Uttar Pradesh, and Tamil Nadu led in rooftop solar capacity additions, accounting for more than 81% of all installations during the quarter. As of June 2024, India’s total rooftop solar capacity reached 11.6 GW.

Rise in Utilization of Solar Panels in Irrigation Systems to Expedite the Market Growth

Solar panel systems are utilized in irrigation systems for a long-lasting and natural source of power required for the operation of water pumps. This leads to reduced dependence on fossil fuels, lowered running costs, and a minimal ecological impact. Solar-powered irrigation systems enhance water efficiency through the sensible management of water incorporating techniques such as drip irrigation which lead to increased farm output. Furthermore, these are useful for off-grid zones to improve agricultural productivity, promote sustainable agriculture, and reduce greenhouse gases released into the atmosphere.

For instance, in February 2024, India effectively installed more than 2,95,000 solar water pumps for farmers under the Pradhan Mantri Kisan Urja Suraksha evam Utthaan Mahabhiyan (PM-KUSUM) scheme which aims at improving irrigation and reducing dependence on diesel. Notably, Haryana, Maharashtra, and Rajasthan account for nearly seventy-five percent of these installations. The success of the scheme highlights its role in advancing sustainable agriculture, boosting farmer incomes and helping achieve India’s renewable energy targets through access to solar technology.

Solar EV Charging Stations are Propelling Market Growth

Rising EV charging stations in India are influencing the demand for solar panels significantly. In recent times, India has seen a significant rise in public charging stations. Charging stations nowadays are gradually integrating solar panels to allow for a more sustainable power source which results in less reliance on the grid and lower operational expenses. The synergy between EV sales and solar power consumption in India is boosting the growth of EV charging stations, thereby, proliferating market growth and contributing to a cleaner environment.

For instance, in July 2024, the first grid connected solar powered EV charging station of Delhi was launched by the National Solar Energy Federation of India (NSEFI). The innovative project is being developed in collaboration with Bombay Suburban Electric Supply (BSES) aimed at promoting sustainable energy and upgrading the electric vehicle infrastructure. The charging station is capable of charging two and four wheelers in an hour. The pilot initiative is supported by a German non-profit organization, Sequa GmbH, which demonstrates a model for solar power integration into EV charging stations, contributing to India’s renewable energy objectives and promote electric mobility development.

Government Initiatives are Amplifying the Market Prosperity

Government initiatives play a significant role in India for the adoption of solar panels or clean energy generation. The Indian government has sponsored various projects to promote the use of solar energy, including the Jawaharlal Nehru National Solar Mission. These initiatives offer monetary incentives to cut the cost of solar panels for residential rooftops and business buildings, thereby making solar energy more affordable across the country.

The goal is to reduce carbon emissions while also supporting local renewable energy companies, which has helped India to become a global leader in the solar power industry. Subsidies for rooftop solar systems, the Production Linked Incentive (PLI) program to stimulate local manufacturing, and the National Green Hydrogen Mission are all major initiatives. These efforts have greatly increased India’s solar power capacity, which now accounts for a major part of the country’s overall renewable energy.

Northern India Comprehensively Led the Market Share

Northern India emerged as the market leader in 2024 and is expected to maintain its position over the forecast years. The region’s vast population, along with a prominent industrialization, has positioned it as a solar power hub in the country.

For instance, in June 2024, Rajasthan Urja Vikas Nigam Ltd. (RUVNL) launched a solar tender for 8,000 MW, which stands as one of the biggest individual tenders in India’s solar energy industry. The step aims to boost solar power output in Rajasthan strengthening the state’s role as a major player in India’s renewable energy scene. Moreover, Rajasthan is expected to continue building its reputation of being the largest source of renewable energies in India, especially in the solar power sector.

Download Free Sample Report

Future Market Scenario (FY2025 – FY2032F)

The utilization of solar panels in irrigation systems in India will contribute to provide sustainable farming methods and enhance agricultural output, yielding extensive opportunities for market growth in the forecast years.

The charging stations for electric vehicles are expected to increase the need for solar panels, thereby leading to ample market growth opportunities.

The utilization of perovskite solar cells in bifacial solar modules is expected to increase market growth at an exponential rate in the projected years, improving effectiveness and reducing expenses.

The Indian government’s investment in infrastructure to support solar panel installations will be improved through the development of solar parks and cities.

Report Scope

“India Solar Module Market Assessment, Opportunities and Forecast, FY2018-FY2032F”, is a comprehensive report by Markets and Data, providing in-depth analysis and qualitative and quantitative assessment of the current state of India solar module market, industry dynamics, and challenges. The report includes market size, segmental shares, growth trends, opportunities, and forecast between FY2025 and FY2032. Additionally, the report profiles the leading players in the industry, mentioning their respective market share, business models, competitive intelligence, etc.

Click here for full report- https://www.marketsandata.com/industry-reports/india-solar-module-market

Latest reports-

Contact

Mr. Vivek Gupta 5741 Cleveland street, Suite 120, VA beach, VA, USA 23462 Tel: +1 (757) 343–3258 Email: [email protected] Website: https://www.marketsandata.com

#Solar Module #India Market #Market Research Reports #Market News

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news365timesindia · 2 days ago

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[ad_1] The Chess Panel in Trailblazers 2.0 (Left)/D Gukesh at the Tata Steel Chess Tournament (@tatasteelchess) It was kind of obvious. When we as a team sat down to identify our focus sport for the Tata Steel Trailblazers Conclave 3.0, the answer was staring at us. Chess. There can be no debate that Indian chess took giant strides in 2024. In the words of Viswanathan Anand, “There is no doubt the sport is doing well and the future is looking great, but it will take some doing to match 2024.” Anand is right when he says this. From D Gukesh winning the candidates and Arjun Erigaisi crossing the 2800 Elo rating, to India winning the men’s and women’s golds in the Olympiad and Gukesh becoming world champion, it was the best year possible. And 2025 has started on an equally vibrant note, with R Praggnanandhaa winning the Tata Steel Chess and Gukesh coming a close second. The women’s game too has taken a significant stride forward. R Vaishali, Koneru Humpy, D Harika, Divya Deshmukh, Vantika Agarwal and Tania Sachdev all had a good 2024. While the gold in the Olympiad stood out, Humpy’s world championship medal was another real highpoint. Away from the boards as well, chess has taken giant strides in the year gone by. Thanks to the efforts of Sagar Shah and his team at Chessbase India, there is now a constituency that consumes almost every match that is telecast. The Gukesh-Pragg tie-breaker was watched by over 50,000 people and the Gukesh’s World Championship clash with Ding Liren saw audiences of close to 150,000 daily. Chess influencers have become known names on social media, and Tania, for example, has also branched out into commentary. Sagar is now a permanent fixture at events across the world and, in every sense, the sport has grown. To go back to Anand one more time. “We now have a generation of players,” he said. “Even Gukesh, having become world champion at the age of 18, has the best part of his career ahead of him. This entire generation of players – Gukesh, Arjun, Pragg – the sport is very strong at the moment, and I am pleased that, not just personally but also through the Westbridge Anand Chess Academy, I have had a role to play in it. The youth of the country will continue to engage with the sport in the future is my hope, and that’s really very good news.” This is what we will celebrate at Tata Steel Trailblazers 3.0. It is rare that India dominates a sport which has a global footprint. Three Indians in the men’s top 10 is evidence of India’s growing strength. After the Soviet era, this is the first time a nation looks all set to dominate world chess. “For the longest time, it was Anand,” said Dibyendu Barua. “And he still has a major role to play in inspiring these players. Magnus Carlsen had said it three years earlier. He had mentioned that India will dominate world chess. Now it is proving to be true.” While celebrating the sport, we will also celebrate India’s first chess genius, Sultan Khan, who beat the best in the world between 1929 and 1933. In a chess career that lasted approximately five years, he won three British Chess Championship titles in 1929, 1932 and 1933. Thereafter, he came back to India and did not play competitive chess. Over the course of his career, he beat legends like José Raúl Capablanca, victories that were regularly reported by the Times of India. Also Read: Arjun and Hari: Unsung heroes of Indian one-two at Tata Steel chess The post Tata Steel Trailblazers, and celebrating a quantum leap for Indian chess appeared first on Sports News Portal | Latest Sports Articles | Revsports. [ad_2] Source link

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news365times · 2 days ago

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heavy-machinery-insights · 19 days ago

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Best Panel Saw Machine Supplier in India

Golden Machinery offers the best panel saw machine in India, designed to provide exceptional precision and efficiency for all your cutting needs. With advanced features, these machines deliver superior performance and can handle large volumes of cutting tasks. Ideal for woodworking industries, Golden Machinery's panel saw machines ensure clean, accurate cuts and long-lasting durability for various workshop operations.

#industrial machine tool suppliers #machine tool suppliers in india #panel saw machine #panel saw machine price #panel saw machine supplier #best panel saw machine in india

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gmiinfra12 · 5 days ago

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TiECon Trail 2025: A Catalyst for Innovation and Growth in North India

Introduction

The recently concluded TiE Con Trail 2025 in Chandigarh set the stage for one of North India's premier entrepreneurship summits. With a strong emphasis on innovation, sustainable growth, and leadership, the event saw industry leaders, investors, and aspiring entrepreneurs come together to engage in meaningful discussions. A key player in this initiative was Mohit Bansal, CEO of GMI Infra, who has been instrumental in fostering infrastructure growth and supporting entrepreneurial ventures in the region.

The Significance of TIE Con Trail 2025

TiE Con Chandigarh has long been known for nurturing innovation and entrepreneurship. The TIE Con Trail 2025 served as a precursor to the main summit, offering attendees valuable insights into the evolving business landscape. Powered by Grey Marble Infra Private Limited (GMI Infra), this event played a crucial role in shaping conversations around mentorship, collaboration, and leadership in dynamic industries.

Key Highlights of the Event

1. Fireside Chat: "One Man, Many Dreams"

One of the most impactful sessions was a fireside chat featuring Satyan Bhatia, the Founder of International Marketing Corporation. His inspiring journey, moderated by Ritika Singh, resonated with aspiring entrepreneurs, emphasizing perseverance and long-term vision as keys to success.

2. Leadership & Innovation Panel Discussion

An engaging discussion between RJ Geet and Mohit Bansal (CEO, GMI Infra) focused on the role of business leaders in fostering sustainable innovation. The session highlighted the importance of adaptability, mentorship, and visionary leadership in today’s fast-paced business world.

Mohit Bansal: Driving Infrastructure & Entrepreneurship

As the CEO of GMI Infra, Mohit Bansal has been at the forefront of infrastructure development in India. His leadership at GMI Infra has not only contributed to large-scale infrastructure projects but also created a robust ecosystem for startups and entrepreneurs by investing in strategic collaborations. His insights at TiECon Trail 2025 reinforced the importance of building strong business foundations that prioritize long-term sustainability.

Future Prospects: TiECon Chandigarh 2025

With the success of TiECon Trail 2025, the excitement for TiECon Chandigarh 2025 is at an all-time high. Leaders like Mohit Bansal are expected to play a crucial role in driving forward discussions on entrepreneurship, investment, and leadership strategies.

Conclusion

TiECon Trail 2025 successfully set the momentum for the upcoming TiECon Chandigarh summit, leaving a lasting impact on the entrepreneurial ecosystem. With the contributions of business leaders like Mohit Bansal, the future looks promising for innovation, growth, and collaboration in North India’s startup ecosystem.

#mohit bansal gmi #gmi infra #grey marble infra #mohali #mohit bansal

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lignanews · 6 days ago

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🌍 Felder Group Expands and Showcases Innovations at IndiaWood 2025 🌍

Felder Group is pushing boundaries in woodworking machinery with global expansion and cutting-edge technology! 🌟 From AI-powered machines to precision engineering, we’re revolutionizing woodworking for businesses worldwide.

🚀 Catch us at IndiaWood 2025 – See our innovative machinery in action with live demos from March 6-9 in Greater Noida.

Learn more: https://lignanews.com/Felder-Group-Expands-Global-Reach-and-Showcases-Innovations-in-Woodworking-Machinery-at-IndiaWood-2025

#FelderGroup #IndiaWood2025 #WoodworkingInnovation #SmartMachinery #AI #IoT #PrecisionEngineering #WoodworkingMachines #GlobalExpansion #CNC #WoodworkingTechnology

#precisionwoodworking

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intvestorrelationadvisor · 7 days ago

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Social Media in Investor Relations: How to Turn Followers into Investors

Introduction Let’s talk about investor relations. You know, that thing that used to involve thick reports, jargon-filled calls, and PowerPoint slides that put everyone to sleep? Yeah, that. But here’s the twist: investors today aren’t just reading your annual report they’re scrolling through LinkedIn, retweeting earnings highlights, and maybe even sliding into your DMs.

And if you’re in Mumbai, you’re in the perfect spot to ride this wave. The city’s buzzing with IR advisory partners in Mumbai who’ve cracked the code on blending Mumbai’s hustle with global investor expectations. So, grab a chai, and let’s chat about how social media is turning investor relations from a monologue into a conversation.

Why Social Media? (Spoiler: It’s Not Just for Memes)

1. Investors Are Humans Too (Shocking, Right?) Imagine this: You’re at a Mumbai café, explaining your company’s growth strategy to a friend. You’d use simple words, maybe a joke or two. Social media lets you do the same but for thousands of investors. A fintech startup in Andheri worked with an investor relations advisor in Mumbai to turn their ESG report into a LinkedIn carousel. Result? 500+ shares and a flood of DMs from curious investors.

2. Real-Time Updates = Real Trust Remember when news traveled by post? Neither do we. When a Mumbai logistics company hit a carbon-neutral milestone, their IR advisory partner in Mumbai live-tweeted the event with photos of their electric fleet. Investors saw transparency in action no waiting for the quarterly report.

3. Crisis? Handle It Like a Pro Picture this: A rumor about layoffs starts swirling on Twitter. Instead of panicking, a Mumbai edtech company’s investor relations advisor drafted a candid LinkedIn post from the CEO: “No layoffs. Just doubling down on growth. Here’s how.” Crisis averted, trust intact.

4. ESG Isn’t a Buzzword It’s a Story Investors don’t want to read about your “sustainability framework.” They want to see your solar panels, meet your diverse team, and feel your impact. One Top Investor Relations Advisory Firm in India helped a client post Instagram Reels of their zero-waste factory. Suddenly, ESG wasn’t a section in a report it was a vibe.

Platform Hacks: Where to Post (and How Not to Bomb)

LinkedIn: Your Digital Boardroom

Why it works: CEOs sharing candid thoughts? Check. Deep dives into strategy? Check.

Pro tip: Partner with an investor relations adviser to write posts that sound human, not ChatGPT. Example: Instead of “Q4 EBITDA exceeded projections,” try “How our team crushed Q4 (and what’s next).”

Twitter (X): The Watercooler of Finance

Why it works: Quick updates, earnings call soundbites, and yes, even memes (if they’re on-brand).

Pro tip: Use threads to explain complex decisions. “Why we’re expanding to Tier 2 cities 🧵” works better than a 10-page PDF.

YouTube: Show, Don’t Tell

Why it works: A 3-minute video of your CFO explaining cash flow beats a 30-minute call.

Mumbai example: A local pharma firm worked with an IR advisory firm in Mumbai to create animated videos breaking down R&D investments. Views tripled—and so did investor questions (the good kind).

Mistakes to Avoid (Unless You Like Cringe)

Don’t Ghost Your Audience Posting once a month? That’s like showing up to a party at midnight when everyone’s left. Consistency matters.

Don’t Be a Robot Investors follow humans, not corporate-speak machines. An investor relations advisor in Mumbai put it best: “Write like you’re explaining it to your grandma.”

Don’t Ignore the Comments Someone asks about your debt ratio? Answer it. Silence screams “we’re hiding something.”

Mumbai Spotlight: How Social Media Got a Startup Funded

Meet “GreenCart,” a Mumbai agritech startup. Great product, zero investor love. Then they teamed up with one of the best Investor Relations Advisory Firms in India. Here’s what changed:

LinkedIn: CEO posts about farmers’ success stories (with real photos from Nashik).

Twitter: Threads explaining their “no-middleman” model in plain English.

YouTube: A 2-minute video of their warehouse robots (spoiler: investors adored the robots).

Six months later? They closed a $5M funding round. Moral of the story? Investors don’t just want data they want to believe.

Why You Need an IR Advisor (Especially in Mumbai)

Let’s be real: You’re busy running a business, not obsessing over LinkedIn algorithms. That’s where Investor Relations Advisory Firms in India come in:

They Know Mumbai’s Pulse A local IR advisory partner in Mumbai gets the city’s mix of traditional investors and tech-savvy VCs. They’ll tell you when to post during lunch breaks (hint: not during vada pav o’clock).

They Turn Numbers into Narratives EBITDA? Yawn. But “How we saved ₹2 crore by going solar”? That’s a story.

They’re Your Crisis BFF When things go sideways, they’ll help you craft a response that’s honest, humble, and human.

Final Thought Social media isn’t about going viral. It’s about building relationships one post, one comment, one DM at a time. And if you’re in Mumbai, you’ve got a secret weapon: IR advisory firms in Mumbai who speak both “investor” and “human.”

So, next time you’re drafting a tweet, ask yourself: Would I send this to a friend? If not, maybe call an investor relations advisor.

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